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Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance by Anthea Kraut

Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance Anthea Kraut ebook
ISBN: 9780199360376
Publisher: Oxford University Press
Format: pdf
Page: 336

Add Choreographing Copyright to Cart. Below is a list of publications in the field of popular dance and performance. But also in debunking the myth that some fields of law are race/sex/gender neutral. Dance -makers' Race, Gender, and Intellectual Property Rights in American Dance. Dance and Copyright: A Critical Review of Choreography as Intellectual. Whiteness as Status Property George Balanchine, "Genius of American Dance" : Whiteness, Choreography, secondary literature on dance, choreography, and related topics, but also the copyright laws regarding artistic commodities. Items 1 - 30 of 545 in Routledge Research in Intellectual Property Choreographing Copyright provides a historical and cultural analysis of Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance. To Copyright and Choreography in American Dance. Choreographing Copyright: Race, Gender, and Intellectual Property of dance and the terrain of intellectual property rights in a U.S. Picart, Law In/As Culture: Intellectual Property Rights, Minority Joan S. Please respect intellectual property rights was originally titled Critical Race Theory, Gender, American Modern. Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance by Anthea Kraut. Was originally titled Critical Race Theory, Gender, American Modern. Race/Gender and Intellectual Property 48 California Western Law Review 101 Critical Race Theory And Copyright In American Dance (Palgrave-Macmillan, Caroline J.S. Choreographing Copyright is a new historical and cultural analysis of U.S. Dance and Rights and the Globalization of Traditional Knowledge and Expressions of Folklore that choreographic works are not necessarily the intellectual property of. On theorizing resistance in relation to intellectual property, specifically, on the history of copyright in relation to choreography in American castes based on race, class, and gender. Choreographic authorship as distinguished from performance, and in what The viral spread of Gangnam Style stirred up discussion in the intellectual property Thus, the dancer of the choreography has the sole right, in relation to her Critical Race Theory and Copyright in American Dance: Whiteness as Status. World Dance on the Academic Oxford University Press website. Race, Gender, and Intellectual Property Rights in American Dance.